Foreign licensing of your artwork can be lucrative but it can also be a minefield. To protect yourself, research the reliability of the company and draft a strong licensing agreement.
The most important way to protect yourself when dealing with foreign licencees is to find out the reliability of the company you are dealing with. If the licensee is a cheat or scoundrel, you could end up wasting time and money suing the licensee in a foreign court and trying to collect a judgment overseas. No foreign license may be better than a bad foreign license.When researching a foreign licensee, start by asking two questions:
Has this company or person ever licensed artwork from a U.S. artist before? Don't be the first U.S. artist to deal with a foreign licensee. If a company has no experience with American licensors, you should only proceed if you have a strong reason to do (for example, the principals of the company are experienced in international licensing, although the company itself is new).
If the company has licensed artwork from U.S. artists, who are they and how can you contact them? Get the names and contact info for all of the artists who license with the foreign company -- not just those recommended by the company. Find out whether they are satisfied with the company's quality, accounting, and general responsiveness.
Your contract can be a standard licensing agreement or one that you draft. It's best to provide your own. You can modify the sample license agreement included in Nolo books. For art licensing, use Getting Permission: How to License and Clear Copyrighted Materials Online and Off . Or, use the eFormKit, License & Merchandise Creative Art .
Below is a summary of some important foreign licensing issues to keep in mind.
Approval of licensed goods. When major U.S. manufacturers license products to companies abroad, they often arrange periodic inspections of the manufacturing facilities to ensure the quality of the goods (and also to monitor whether the licensee is siphoning off products or engaging in illegal labor practices). It's unlikely you'll be able to afford such onsite inspections but you can demand that copies of your licensed work be sent to you on a regular basis for approval. This offers you some assurance of consistency and quality for your work.
Royalties and accounting. Payment of royalties from a foreign licensee can get tricky, especially when you consider issues like
Also, it's wise to include an audit provision (which allows you to inspect the foreign licensee's books). For more on royalties and audit provisions in license agreements, see Licensing Artwork: Negotiating & Monitoring Royalty Payments .
Jurisdiction. Sometimes referred to as personal jurisdiction, jurisdiction is the power of a court to bind the parties by its decision. Unless the company does substantial business in the states, the only way to get a foreign licensee into a U.S. court is to include a provision in the license agreement that requires the licensee to consent to U.S. jurisdiction.
Choice of law. Every country (and every state) has laws as to how contracts are interpreted. The licensee will want the disputes to be resolved under the laws of its country. Try to include in your agreement that disputes will be resolved under U.S. law for copyright purposes and the laws of your state when it comes to contract issues.
Arbitration. In arbitration, instead of filing a lawsuit, the parties hire a neutral arbitrator to evaluate the dispute and make a determination. You'll almost always benefit by agreeing to have disputes arbitrated and inserting this in your agreement. If possible, your agreement should award attorneys' fees to the victor in the arbitration.
Hopefully, the licensee will agree to arbitrate the matter in the United States. If not, there are three popular (though expensive) spots for international arbitration:
Foreign registrations. If your works are protected by U.S. intellectual property laws like copyright or design patent law, you should determine whether it's worth your while to obtain foreign copyright or patent registration in the countries where your work is being manufactured or distributed. You may be able to require that the licensee handle these administrative tasks as part of the license.
Become familiar with international trade terminology and rules so you can speak knowledgeably about things like "F.O.B." and "letters of credit." You can get a crash course by reviewing the resources below.
Get more information on negotiating and drafting a solid license agreement -- and obtain sample agreements -- by referencing the following Nolo books and form kits: Getting Permission: How to License and Clear Copyrighted Materials Online and Off (for art licensing); or the eFormKit, License & Merchandise Creative Art .