If you plan to use samples in your musical compositions, you may need to get permission to avoid legal trouble. Unfortunately, getting permission is not always easy. Here are some ways an independent artist can obtain sample clearance.
You don't always need permission to use samples. To determine if you need permission, see When You Need Permission to Sample Others' Music.
The process of getting permission from the owners of the sampled music is referred to as "sample clearance." When you sample music from a pop recording, you need two clearances:
The first step in obtaining permission is to locate the copyright owner(s) of both the song and the master recording. Start with the publisher, as that is usually the easiest one to find.
The best way to locate a publisher is through performing rights organizations, such as Broadcast Music Incorporated (BMI) or the American Society of Composers, Authors, and Publishers (ASCAP). These groups collect money for radio, TV, and other public performances of songs. (In Canada, the performing rights organization is The Society of Composers, Authors, and Music Publishers of Canada (SOCAN).)
Once you discover the publisher of the source music, contact it and ask if it will grant clearance for the source music. Many publishers, unfortunately, have a policy not to grant permission for sampling.
Here are some ways to find the owner of the master recording:
Ask the publisher.
Find the record company that currently releases the music. Ask the record company that is currently releasing the source music. To find this company, check:
Locating master owners may prove troublesome -- record companies often fold or sell their copyrights to other companies. In addition, sometimes rights in masters revert to the original artists after a number of years. In that case, you may have to use the assistance of a clearance expert or sampling consultant.
Use a Clearance Expert. For an hourly fee, sampling consultants will guide you through the clearance process -- reviewing your use of samples and advising you of the expected budget and potential problems. Consultants can save you time and money because they're familiar with the procedures, costs, and key people who license rights at the major music publishing and record companies.
Sometimes, all fails and you can't find the master owner of the music, or it won't provide clearance to use the sample. Here are some alternatives to getting sample clearance.
Some artists avoid paying part of the sample clearance fee by re-recording the sampled section. You still need permission from the music publisher, but not from the owner of the master recording.
How does this work? Let's say you want to use a six-second sample from "Green Onions." Instead of sampling the original recording, you play the parts yourself and re-record the music to sound exactly like the original. In that case you have not infringed the master recording. (Due to a quirk in copyright law, you can only infringe a master recording if you actually copy it -- not if you imitate it). You don't need permission from the master owner.
Some copyright owners are happy to clear samples -- so much so that they encourage the process. Seek these out.
For example, copyright owners of songs by the Average White Band and the Gap Band pro-actively seek to promote their music for sampling. Tommy Boy Records also makes it easy to acquire clearances.
If you run into problems with a music publisher or owner of a master, you may have better luck contacting the artist directly. This works if the artist still has some say or control in what gets cleared.
For example, Shirley Manson of Garbage wanted to use the line, "You're the talk of the town," at the end of a song. Lawyers for the band ordered her to drop it, but Shirley called up Chrissie Hynde, who sent the following letter to Garbage's attorneys: "I, Chrissie Hynde, hereby allow the rock band Garbage to sample my songs, my words, and indeed my very ass."
For step-by-step directions on how to get sample clearance, and comprehensive information on many issues facing your band, read Rich Stim's Music Law: How to Run Your Band's Business (Nolo).